These first three paintings were all done at the Jen Gennari Workshop in Landgrove, Vermont. The class really taught me to more closely examine the subtleies of color. I thought I wasn't bad at it but she saw colors that were beyond my capabilities. And I am still trying to loosen up as she does. (check out my mainpage to see her White Tiger. She is certainly inspirational.
For me, a good painting depends so heavily on good lighting. In the painting below, notice the cool light coming in from the left and illuminating the edge of her face and hair. It is so cool that it has made her hair a light violet. The other light source was an incandescent bulb (very warm light) which was positioned below her and to our right. This not only helped provide a nice dominant warm light to the cool window light, it also meant that the shadows and highlights were all reversend. So, for example, the highlight on the nose is coming from below and the shadow of the nose goes up instead of down. This makes it, in my opinion, more interesting than the normal overhead light.
In the "Blue Kimono" the light source is a single, large window which faces north. Sunlight never comes in through a north window and thus makes it consistent in color and intensity. And since, in this case, it is directly to the model's right, that light falls across her back at a great angle which emphasises the contours. Also, in my reference photo for this painting, her legs were tucked out of sight below the furniture. This made her look too incomplete so I added a bit more robe in the lower right corner. Also, please note the diagonals- the angle of her spine, the edge of the robe across her back, her right forearm and lower leg. Diagonals are usually add more drama than simple verticals or horizontals. At the same time, her left arm being nearly vertical provides a counterpoint to all the diagonals. If that arm was the same angle as her body, it would feel like a visual arrow shooting through and out the painting..
One day, after finishing one painting early, I had some time left in the gallery, but not a lot of time. So I gave myself a time limit to do this little 5x7. It was done in little more than an hour and a good thing happened as a result. It forced me to focus on what was important and not get too bogged down in details. What ws left felt perhaps a little fresher than most of my work.
While in Arizona, I met a terrific young musician/artist named Veronica and have painted her 3-4 times already. I liked this pose because it felt a little different with so much of it being left of center. Still that back of the chair provided a bit of balance. It still needs a little something, even if it is just more textured paint, in the upper right.
This painting completes a big circle. A few years ago a former middle school student of mine from Windsor, Colorado bought a still-life painting I had done of a violin. He did this because he now makes violins. Last year, his daughter graduated from Windsor High and he asked about a commissioned portrait of her. I offered to trade it for one of his violins, knowing I could use it someday in another painting. This is that painting.
Driving through Nebraska, I came across this wide open scene and felt with a flat land, the farm and the silo, it was the quintessential scene for my home state. I loved the big sky too and the intent is that this will someday be a very large painting.
I met sculptor, Craig Bergsgaard at the AZ Fine Art Expo and soon asked if he would like to trade a portrait of himself for some of his work. He agreed and as I was photographing him, I asked where he was from. I couldn't believe it when he told me Windsor, Colorado; the town where I began teaching in 1976 and have so many found memories and friends to this day.
Some of you may recognize Monique, whom I have been mentoring since last August. She is also a great subject to paint with her mysterious eyes.
I took the reference photo of the cows in NH several years ago and have used them in several paintings as it is my favorite of the hundreds of cow photos I have taken. And this is my favorite of all of those and other cow paintings I have done. Hence the title. In the original photo the sky was blown out white and so here I added a California background beyond those trees.
When Monique and her sister, Genevieve, came to my studio for another in their mentoring painting sessions, I knew I had to paint her in that white coat in the snow with those braids. She is standing on the deck of my home studio here just before coming in to work. I am so proud of these young ladies and how fast they are growing as painters. And they have been inspirational as subjects too. The whole family has too. See below.
These are their two youngest sisters and with them I have now painted all six kids in the family and the mother as well. Just waiting for the dad to grow a beard and I'll get him too. The inspiration for this painting was a favorite of mine from my art hero, John Singer Sargent. His painting had two girls looking into the Japanese lanterns they were lighting. I wanted to do something similar with a sky lantern. This was a tough one to set up and took at least two photo shoots the first of which ended in disaster. Monique and Genevieve were assisting in the shoot as you can see.
This was a commission for a former student of mine from the 1970s. Her nickname is Peach and so she wanted a still life along those lines. She also bought a landscape. By an amazing coincidence, another student from the same era called within the week and took four landscapes!
In the real setting for this work, a tree had fallen (but not completely) across the foreground, obscuring much of the middle and background. Also there were some oddly shaped rocks in the foreground which took away from the image. I eliminated those obstructions and also created a gap in the trees in the distance to open it up and give more depth. Lastly, I took a toothbrush and sprayed a fine covering of white dots across the canvas to make it snow. Right after I took the photo, I slipped and went into the cold river up to my knees. It was worth it.
One of my mentors strongly encouraged me NOT to paint these backlit portraits and I am doing fewer of them. But I admit I love the contrast and the drama they create so for at least the time being, I will continue to some point.
I am continuing with the nostalgic, old magazine covers and having a great time with it. I guess I am still an illustrator at heart. The model for the one above is Genevieve who at 14, is an amazing painter herself. I am currently mentoring her and her sister. See main page for more on them. The model below many of you will recognize as Hannah, a favorite model for the past 4 years. This one is about the 70th time I have painted her. And by the way, her attitude is nothing like the woman in the painting. But she is capable, even excellent at becoming whatever look is asked of her. She has been a femme fatale, a cowgirl, and aviatrix, a pinup girl and a girl next door. She was perfect of all of them. She had never modeled before the first time she posed for me. She's a natural.
Isaac has the perfect look of a cocky airman from the Second World War. He is the brother of the girls I am mentoring and part of a wonderful family!
Hannah is also in the family mentioned earlier with the sisters whom I am mentoring. Four months ago she and most of her family came in the gallery and I wanted to paint all of them! And then I found how gifted two of them are. Hannah often naturally took this stance as she talked and I wanted to paint it in particular. She came with this striking black dress to a photo session and with the addition of a black vintage hat, made for an interesting painting.
While setting up a photo shoot for a future painting with her younger sisters, Monique (at 13, the younger of the two I am mentoring) came in this dress and together with her usual stance of arms crossed at the wrists, I thought it was worth a painting of its own. I found out a couple weeks later that it would be the dress she would wear to her Confirmation and so that became the title.
You may recall the painting recently with a smiling girl holding a Coke. I thought that would make a fun series with products as if they were old ads. So I bought a couple outfits on eBay with that in mind, including this great old majorette uniform. Then I heard that even without making prints, I could be sued by Coca-Cola or whatever product. So I shifted gears. I can still do these paintings as long as I use products that no longer exist or, as in this case, defunct magazines.
The sisters (above) that I have been mentoring have had an impact beyond the life they brought to the gallery and as models. They especially enjoy painting land and seascapes reminiscent of the old Luminist style, popular from 1850-75. And it has reawakened that interest in me as well. This is the best of the two that I did in October.
The portraits above and below are the two sisters whom I am currently mentoring. It has been wonderful helping them advance their skills as wll as getting to know their personalities. Genevieve, the older (by a year) is such a kind and gentle young lady and I have seen her be such a good sister to Monique. Gigi is very thoughtful and considers each brushstroke and is somewhat a perfectionist.
Monique, on the other hand, charges full steam ahead and is completely fearless. This is why the painting is called "The Young Kestral." A Kestral is a bird about the size of a pigeon but is actually a small falcon that is, pound for pound, the toughest bird alive. She will teasingly give her sister a hard time and has a kind of a sly smile that tells you you're in on the joke when she flashes it. Both are terrific young ladies and incredible painters; way ahead of their years. And they have only been painting for 18 months and have no training other than watching Bob Ross on TV. And in less than a month BOTH have sold paintings in the gallery!! This was a thrill for me as well as them. I'll post more of their work in the future. You should keep your eye on these two!
I have such mixed emotions with this painting. It came out exactly as I had wished and I intended to do a series of similar pieces. Then I was informed that laws have changed since I last dealt with protected images (in this case, the Coke logo). It is illegal for me to sell this piece and stupid to do more. So it will hang in my home and go toward my frustrating increase of education with such things. I am still planning on doing similar paintings but I will have to do them with companies or magazines that no longer exist and therefor, no one left to care to sue me. Anyway, a tip of the hat to Emily, who did a perfect job modeling for this!
I hated to have recently lost three of my best models. One retired and two moved to distant states. Fortunately, at the same time, Ilah appeared and has already proven to be terrific. You will not only see her again this month but in the future too. Here's the first of her where I wanted to showcase her wonderful profile; one of the three best I have ever seen.
I'll make a confession here. Often times when I have high hopes for a painting, they end up being a disappointment and this is a case in point. When I imagined this combination of waterfall and flowing white dress, I was more excited to get started than I have been for any painting in a few years. But what I find happens is that they become too "important" as if this is my chance to make a masterpiece. Consequenty, I get too careful and the painting ends up being somewhat forced and without any of the spontaneous brushwork I had envisioned. I may be able to salvage this but right now it is just frustrating. I feel like I can be honest both when I am thrilled with paintings and disappointed.
On rare occasion I will paint another picture from the same reference photo if I think I can do it better or have something a bit different to say in paint. Though this one is only slightly different from the earlier version, I think it is significantly better. I added just a little warmth in the sky on the horizon that did not exist in the photo. This gave kept the painting from being entirely cool and thus, more interesting.
I'll bet many of you will also reconize Miranda whom I have been painting for almost half of her 29 years. She and her husband are stellar people and we consider them good friends even though they are closer to the ages of our grandkids. She now raises chickens and has become immursed in that along with a new business of growing and selling flowers. Busy young lady!