I think May was the best month I have ever had professionally speaking. It started with a trip to the Portrait Society of America Annual Conference. I was asked to be one of those who reviewed portfolios for attendees. After being on the other side of the table from artists whom I respected, I felt honored to be asked to be a part of the team who did this.
Then at the awards banquet my portfolio of portraits was recognized as one of the top five there (third actually). When I attended my first canference, I set a 5-year goal to do this and this was the fifth year so I was very happy to make that goal.
The theme of this year's conference was John Singer Sargent and I was happy to meet the keynote speaker, Richard Ormond who is recognized as THE world's authority on him. He is working on his ninth book on Sargent and also is a grand nephew to the master painter.
A couple years ago I began mentoring a young lady named Nicole Vargas-Santiago who attended her first conferece this year. She and I are shown below with Everett Raymond Kinstler and Michael Shane Neal. Shane has mentored me through his workshop and beyond and he was mentored by Mr. Kinstler. Mr. Kinstler learned from (among others) Gordon Stevenson who himself was taught by John Singer Sargent. So this photo represents four members out of five that are a direct chain of teachers/mentors back to my favorite all-time artist. I am very proud to be a part of that and I am sure Nicole will continue that on someday.
For more than a decade, I have set an anuual goal of being recognized with an article in a national art magazine. This month I recieved my copy of American Art Collector and saw that goal recognized. I was over the moon. Then a few days later, I was in International Artist Magazine as their Grand Prize Winner in the Seascapes, Rivers and Lakes contest they sponser. Honestly, I was shocked by this as usually they have over 2,000 entries from around the world!
I will be updating my website on the first Monday of each month from now on and will be putting the most recent paintings in the "What's New" area. If you check that each month you'll see a note on each detailing what inspired the painting or something about the subject or technique. I hope you'll find this interesting.
Last February I shared a two-man art show with composer, Mark McKenzie in the Tirage Gallery in Pasadena. There were 37 paintings all inspired by Mark's beautiful film scores. Though the show is now gone, interest remains so I thought I'd keep a reference to it here for a while. Mark was nice enough to make some short suites of his music that I could pair with images of my work for this show. To get a little of the flavor of this project you might enjoy clicking on these links
I feel like many of the paintings for this show are among the very best I have ever done and so I am very happy to show them and grateful to the Tirage Art Gallery for hosting this event. In the American Art Collector June Issue, they chose six of the seven images for the article to be paintings that happened to be done fo this show. And I am extremely proud to have it associated with the composer I consider to be the best ever at his trade. Thank you, Mark McKenzie!!
I am so fortunate to be able to do what I love in one of the most beautiful places on earth. Who would have thought that even in the midst of a long, nasty winter there would be so much opportunity for inspiration?
Recently while snowshoeing with my wife Julie and some friends, we came upon a spot with almost a mystical beauty. Unfortunately, the ideal angle from which to shoot a reference photo was out standing on the ledge of a very short waterfall. But nothing else would do, so I scooted out and crouched down so the offending tree trunk would not be covering what might be the center of interest.
Though I teetered on the edge a bit, I was able to get what I needed and head back to the shore where I fell through the ice and went into the river (only up to mid-calf). But walking back the rest of the way with ice water in both boots was a bit chilly. Still getting this shot and the excitement over getting to paint it was well worth it. Thanks to Nancy Lusby for taking the first photo above.
Here's a link to the Mission Gallery
The more you learn, the more you realize you have to learn. Certainly true in the case of portraits and I feel I have been learning about the subtleties of painting flesh. Such was the case with this one where blues, greens and violets play heavily in the mix while trying to set a melancholy mood. The photo from which I worked in this case came from someone whom I taught in middle school art about 35 years ago. She posted a photo of her daughter wearing a Christmas ornament as an earring. Her careful pose looked so subdued to me; as if she had just gotten in trouble.
Often I will hear from a client after they get their painting home and sometimes they'll even send a photo of how it looks on their wall. I love seeing where my work ends up and even more, I love that these people took the time to send these. I really means a lot. Very recently I got a couple great notes from Gina who commissioned a portrait of two of her horses. It sure feels good making people happy doing what I love to do.
We are overwhelmed with what you have done. With each phase we have watched as our boys have come to life. All along my hope for this portrait has been to capture Ben and Jazz and not just be any two horses.
To be able to look into their eyes and see them looking back at me has filled my eyes with tears.
This portrait shows their souls and having them together again means everything.
Rodney and I can’t put words to how much this portrait means.
You have been very patient with us (me) through this process and are clearly a very gifted artist. Jazz would have been 33 on February 14th and thanks to you we will be able to see a painting that truly captures his beauty and soul.
As with every commission, I sent regular updates explaining what I was doing and why with accompanying photos of the process. I feel it helps the client to be involved and promotes a better understanding of the piece and hopefully, a greater appreciation of it.
Thank you, Gina for that terrific note and for the opportunity to work with you. I really enjoyed it.
There is so much to learn with any form of painting but lately I have really enjoyed working on the subtleties of skin tones. There are so many colors within from greens to violets and blues. I don't think there is anything I've found more satfying than getting that right (or at least close). I hope to expand and grow in that regard druing the upcoming year.
Three years ago I painted a portrait of Executive Councilor, Raymon Burton. Ray served his constituents for nearly 40 years and did so as the greatest example of a public servant I have ever known. Unfortunately, Ray passed away recently after battling cancer. Last week I found that he had willed this portrait to the state and after a legislative vote, it was confirmed that it would be displayed permanently in the Governor's Council Chambers in the State House right behind the chair he occupied for so long. I am very honored to have this displayed there and sincerely wish it could have been many more years before this would have happened. In a memorial service in mid-December at Plymouth State University it will be my pleasure to present this portrait Governor Maggie Hassan. It will be the second portrait I will have hanging in the Capitol Building, joining one of former Gov. Henry W. Keyes on the second floor.
On September 12th I was very honored to execute a portrait sketch in oil at the Saint Johnsbury Athenaeum. For a little over two hours I painted and talked to a nice crowd who came out to brave the rainstorm. All the while, behind my canvas loomed a giant painting by Albert Bierstadt (10x15 feet!!) and at the same time on my left, a small Bouguereau painting. I really enjoyed the evening and am thankful to those who attended as well as the Athenaeum staff for organizing it and hosting my one-man show which was on the second floor.
I was recently been given representation in Art3 Gallery in Manchester, NH. They have been in business for 28 years and I am very happy to join them there. If you're in Manchester, I hope you'll look them up. They have a wide variety of styles and artists whom they represent there and are good people too!
If you are interested in having a portrait done or commissioning a landscape, please don't hesitate to call or email me. It may surprise you how affordable it is. And with all commissions I send email updates with photos describing the entire process and usually include a CD with a time lapse movie of your painting. Past clients have been very happy with these and they will greatly increase your understanding and appreciation of the process. And they are free!
Here's what one client had to say about it.
"......and every time you correspond I learn something new.....Julie and I have talked quite a bit about the processes you used in painting our "Carney Barn" and we have come to the conclusion that there is so much more to painting that we had ever imagined......thanks for sharing what amounts to only a very small part of your knowledge... even though it is not much to you it is enormous to us....very very interesting and always send me anything about the process you want because I know it will be interesting and informative..." - Mike Carney
For anyone who has not visited our little village of Bath, New Hampshire, I sure recommend it. It is quintessentially New England and yet very unique at the same time. Though it is so small it has a lot to offer someone looking to relax a while in a place that is a slice out of another time. In just the space of 100 yards you will find America's oldest general store, chock full of goodies (wonderful smoked meats and cheeses and the best home-made fudge you've ever tasted), a nearly 400-foot-long covered bridge built in 1832 and waterfall right beneath it, a church (1873) that was the location of the nation's first Sunday School, an ice cream shop (1844) that is also a virtual rock and roll museum, and our art gallery (1833) with more than 125 paintings displaying the beauty of our area. The painting above shows Bath from just upstream. I hope to see you here someday. If you like rural America, you will love it here. My wife and I found it on a fall foliage bus tour in 1993 and she said that day "I want to live here!" We are so fortunate to have made a home here since 2002. If you are able to visit, please keep in mind the gallery (and the ice cream shop) are only open from May to October each year.
And I feel so blessed to be able to sit in the gallery and paint for a living. I work in a very comfortable old buggy without wheels into which I built an easel. I recall my dad having to get up at 5:30 a.m. and go to a job he hated in order to provide for his family and it just doesn't seem fair. Then to put the icing on the cake, I have the opportunity to meet so many wonderful people who come through the shop and chat about art or Bath or New England or life in general.
I have a list of people to whom I send out regular updates on new paintings. These are generally a couple of times a month and include descriptions and/or inspiration for doing it. These are not to pressure anyone into a sale but at the same time they are offered here before going to any other galleries so anyone interested may have first crack at them. If you would like to be included on this list, please let me know at firstname.lastname@example.org and I will add you right away. Your email address will not be given or sold to anyone else.
Thanks for visiting!