Very often I work from photos that I take and I rarely share this part of the process. But in this case, it may be a bit more interesting than the usual. For the paintings I hade in mind, I needed a special perspective. In the case below, I wanted her reflections shown in the water which meant I meeded to me in the river myself. This made me nervous as the rocks are very slippery and I sure didn't want to end up with my camera underwater.
But some terrific reference photos resulted and it was definitely worth the risk.
For the poses above, we were right below the covered bridge near my home. During the same shoot, I went up into the bridge to shoot out a window straight down as Monique slowly swam in the still waters below. I hope you'll come back next month's update to see what might have resulted from these photos. By the way, these are just three of the best of more than 650 pictures taken this day!
Just last week my landlord informed me that The Brick Store, the adjacent sice cream shop and our gallery are all for sale. They have been closed due to Covid and more recently as a result of inability to find people willing to work. So they are tired of the whole endeavor. This puts the future of the gallery in serious doubt. We'll have to wait and see what happens, but this may mean the end of business for us after 17 seasons. I'd appreciate any prayers on the matter if you are so inclined. Thank you!
Please check out the "What's New" Section of my website to see more of the work I did at the workshop as well as the best of my paintings from June.
For ten weeks from January through March, I was in Scottsdale as part of the Arizona Fine Art Expo along with nearly 100 other artists. The show was open to the public with all these artists drawing, painting, sculpting or doing whatever they do and doing it seven days a week. Many think it would be a grind but getting to paint every day and meet a lot of nice people is pretty soft as grinds go. I was able to complete 50 paintings during that stretch and sold quite a few.
Also, a perk of being there is meeting other artists and having the opportunity to trade work. Here I am with Craig Bergsgaard from Colorado. I traded him a portrait of himself a pair of his terrific sculptures. Read about an interesting coincidence with this guy in the "What's New" section.
While at the show, a terrific model, Lilah, stopped by and saw a painting of herself hanging in my booth. She was also in a painting in the ad for my space in the directory she is holding
I feel with the intensity of painting so frequently, my work improved over the course of the show. To see the best of what I did in March alone, please click on the "What's New" button above.
I am very proud to announce the publication of my first book! This has been a passion project for the last 16 months. Currently it is available online through Amazon Kindle and soon the print version will follow. Here's the blurb and link on it in case you might want to read it.
A portrait of a beautiful young woman hangs in the
Boston Museum of Fine Arts with a story to tell. Through
the journals, diaries and letters of the subject and the artist
who painted her, the lives and love they shared come to life in
Civil War-era New England. These writings, kept secret for over
a hundred years, not only reveal the difficulties of finding any
kind of relationship with each other, they also show how society,
a well-respected rival and even family members sometimes strove
to keep them apart. And deep in those personal papers, a brutal
murder also comes to light.
A story full of life, kindness, humor, rage, faith and
temptation, courage and cowardice, bitterness and forgiveness,
it eventually shows the potential value of a human life.
I hope you'll check it ut and enjoy it. If you do, please tell your friends.
In the last week I found out that I did well in two competitions and both made my respective days!
First, International Artist Magazine selected "Over the River and Through the Years" as a finalist in their annual Lakes, Rivers and Streams Competition.
And then just yesterday (Dec. 8) I was informed that "Dancer in Red" was accepted into the National Oil and Acrylic Painters Society International Fall Online Showcase.
While in Arizona last month, we went to see a painting demo by young Livia Hamel. As you can see, her painting of Clint Eastwood is coming along extremely well. I met and started mentoring her when she was 16 and she continues to amaze me. She is an incredibly fast painter and a joy to converse with if you can keep up. Her mind runs at around 120 mph all the time and her knowledge ranges from Russian literature and history to TV Westerns of the 60s and Movies as far back as the 1930s.
As expected, with no tour buses this year and the overall nervousness of the public, it was a pretty bad October for the gallery. But there will certainly high points. It is funny how smiles are contagious and the painting below proved that to me. Even a painted smile brought one out in me the whole time I worked on hers. More on this painting in the "What's New" section. I hope you click on that and see the best of the other paintings done last month.
By the way, the model for this painting is Genevieve, the older of the two sisters I have been mentoring recently. You can see a photo of her just a couple pictures below. They and their mom came in once a week for the past couple months and it couldn't have come at a better time! Just as the fall business took a downturn, they came in and brought some life back to the gallery. Their lessons will continue at my home studio now that the gallery has closed for the season. I have benefitted greatly from others willing to share what they knew with me and I want to pass it on.
Fall in New England is always beautiful but this year is a strange one! We have never had peak foliage before October 1st but we did this year. Always in the past, the first two weeks of September is dead in the gallery because kids are back in school so no one is vacationing and those who want to see the colors will wait until at least mid-month. But this year, the first half of the month was busy and then it slowed way down just when it should have ramped up. I expect with the leaves mostly on the ground already, our October will be VERY quiet.
With a year that has been a disappointment due to the virus, having these two to teachhas been a real highlight for me. Even though they had never tried to paint a face before they were up for the challenge. And they did extremely well! As a fun addition, the model in their photos was alerted that he was going to be painted that day and he came in to see. By a complete coincidense, it was his birthday! He is the husband of Miranda, (see Crazy Chicken Lady of Grafton County in the portraits section) who I have painted many times and they are one of the nicest and best couples I have ever known.
Both of them have now sold paintings in the gallery! I remember my first sale was a simple painting of Batman for $1. These two did better by a large margin! Genvieve's foggy landscape went to a new in Nebraska while Monique's seascape left for southern NH with the new, proud owners below. As you might imagine, I am really proud of these two girls!
Last month these two young ladies came into the gallery with their mom and after a bit, I saw on their phone a couple examples of their work. They LOVE to paint and have only some Bob Ross episodes as art education. I could not believe how good they are! Monique, 13 and Genevieve, 14, I believe are gifted. And so they have been coming in once a week for some mentoring. They amaze me every time AND they are really good people. I am having a great time helping them advance their skills.
Here are two examples of just how good they are. The top one is by Monique and the bottom, by Gigi and the latter just sold!! I am so happy to have had a part in her first sale and congratulations to Sarah, the new owner!
I recently heard that I have had paintings that have wond awards in three different contests! The Connecticut Academy of Fine Art recognized "Ascension" as a winner in the painting catefory of their annual competition.
Then The Oil Painters of America recognized "The Wildling" into their 2020 Salon of Traditional Oils. Both of these made my day! The third award I am not yet at liberty to reveal. Look for that one in the near future!
Pleasecheck the "What's New" section of the website for the best of new paintings from July!
I was just notified that this painting from last December, called "Ascension" was awarded an Honorable Mention by the prestigious Connecticut Academy of Fine Arts. The subject, Allie, has been a terrific model since I first met her when she was only 13. It is not unusual for a girl this age to have a look of innocense. It is very rare, however that they can still have that look at 17. And yet, Allie does.
Here's the most recent of Allie from just last month. In the "What's New" section of the website, I go into why I consider this one of the very best I have ever done. I hope you will go there and read that and some other details on the recent work.
This month marks the opening for the season of the American Heritage Gallery of Art. This year is certainly an unsure one for us as the Brick Store and the ice cream shop next door have not yet reopened and they help draw a lot of business to us. So we are the only open store in the village. Also, it remains a question about tourism in the fall which is always our biggest part of our season. Will tour buses be coming this year? We'll have to wait and see. But it is also possible that people in vehicles from all over the northeast will be anxious to get out and see and do things. We are keeping our fingers crossed. Anyway, here are a few shots of what the gallery looked like on opening day. If you're in the neighborhood, please stop by and say hi.
I found this great sign in an antique store and thought it would be a terrific addition. It also shields your eyes from a bank of lights.
I'm really happy to dosplay a new painting in an old frame which used to hold a mirror on a dresser top. I have a lot of other new work in this year too.
Please notice the painting of the pup on the right side. This is by Arizona artist, Lynette Polewka who I met earlie this year. She is so good, I offered her a spot on the walls to display and hopefully gain some commissions. She is ridicualous inexpensive and I hope if you have a beloved cat or dog you'd like painted, contact me and I'll relay her information.
From the start of the gallery, I have been painting in this recyled 1900-era buggy seat (no, it is not a sleigh) into which I built an easel. I figure I have painted more than 1,200 works here since then.
I thought it would be fun to make the plexiglass barrier gallery-ized so I framed it with an antique picture frame.
I mentioned here a couple of months ago that I was trying to recruit a group of selfless artists to contribute their time and talents to help a charity (yet to be specified) I got 12 pretty quickly and sent them out small squares of a photo enlargement to paint onto 6x6 panels. These above happen to be the work of Nicole Mone of New York. The artist span the country from east to west, north to south and I am very happy with how it is going. Nonce of the artists will receive anything for this as 100% will go to the charity.
Here's how it looks at this point with just 15 panels of the total 48 left to go. A BIG thank you to artists (in no particular order) Nancy Boren, Greg Sievers, Livia Hamel, Heather Mead Wall, Diane Reeves, Ann Kraft Walker, Julia Maddalina, Laurie Maddalina, Laura Pursley Clay, Monica Edwards, Nicole Mone and Dustin Lyon. Most of these people have a national reputation, winning major awards and all have great talent!
While I suspect that the subtle differences probably are not obvious, this painting represents what is called a "Breakthrough" painting for me. For years I have tried to make my shadows lighter, lights a bit darker and get an elusive softness in my protraits. I tried a fairly simple new (to me) technique and found that, without trying, all those things fell into place. I have explained this further in the "What's New" section and I hope you will check that out along with descriptions of other new work.
Last month I whined a little about the occasional lows of being an artist. And forgive me, I should never do that after being given the chance to paint for a living as that is as good as it gets to me. But having done the whining, I feel a bit better about talking of the high of the profession. After changing my technique last month (see What's New section) I have had several paintings in a row that I consider as good as I cam capable right now and maybe better than I was capable before. And this feels REALLY good. During the three days I worked on this painting, it was a microcosym of the highs and lows. More on this in the "What's New" section.
And a strange one at that! We drove across the country from California in late March and everything had changed since the drive there in January. We were turned away from a motel in New Mexico when told they had no rooms available when I was still 15 feet away from the desk. There were only six cars in their parking lot and of course hardly anyone was out on the road aside from truckers. My mistake may have been going in for a room wearing a mask. We think they thought I had the virus and did NOT want us staying there. We did not want to even stop for food anywhere in New York and found we could not stay overnight in Vermont. So the last day we drove from southern Ohio all the way home - nearly 16 hours in the car that day!
But we are home and safe and back at work. While we hope to be open for the season, it will likely be a tough one and this year we will not be open in May as we usually are.
I hope all who get this and your friends and families are okay.
Please check out the "What's New" section to see the most recent of my work.
I am very happy to announce and preview a project that I have been very passionate about recently. I have just finished writing a novella (too long for a short story, too short for a novel) called "Portrait of Emily Hutchins." Set before and during the Civil War, it involves a young artist who falls in love with the subject of a painting. It is written in the type of prose that was popular in that era and I think most would enjoy the sometimes tragic, occasionally humorous love story. Once the idea occurred to me, I knew I had to paint the portrait that was the focal point of the story. At about the same time, I saw this wonderul old short cape on eBay from the time period and was able to get it. It becomes a small part of the story as well. I arranged to photograph a model who fit the description of Emily and have nearly completed it. I still need to adjust the darks and lights on her face but this will give the idea. The second round of editting was just finished so it shouldn't be long before it is available to those who may be interested. Stay tuned!
I am very pleased with the instructional DVD that has been produced on completing a portrait sketch in oil. It should be available any day now and may be preordered at a reduced rate of $60. It is over two hours of demonstration with some bonus fottage of my artistic path to portraits as well as a gallery of images of some of my best work over the past decade. Please contact me at firstname.lastname@example.org to reserve one.
On a rain-soaked day last June, professional videographer, Pingping Xiao shot hours of a day's work to edit down to what you will see on the DVD of a painting done from start to finish of favorite model, Hannah. Some of you may recall Pingping's name as she has been a model in the past as well.
This very nice couple came in the gallery last month and picked out a painting they couldn't live without. As I took it to the front, I noticed the note on the back that mentioned it was inspired by the opening piece from Mark McKenzie's wonderful Film Score from "Saving Sarah Cain", They were not only familiar with Mark and his music but said they were listening to it on the way to the gallery that morning!!! To hear that piece please check out this link. https://www.youtube.com/watch?v=yaoWIx2F1Pw
And for more of Mark's music-
Just a few days after this, a guy came into the gallery off of a tour bus. We thought we looked familiar to each other. As soon as I heard his voice, I knew him as a guy I had worked with for over 20 years at the Orange County Register in California! Hadn't seen him in about 20 years!
Nick recently picked up his commissioned painting of a property that has been in his family for four generations. The house and barn were built in 1780 and played host to his grandfather's friend, Norman Rockwell. This was a joy from start to finish; meeting Nick and his wife, Christen, seeing and photgraphing the spot at sunrise, hearing the history, painting it (and adding a couple personal nods to Nick and his great-grandad) and especially seeing his reaction when he came in to get it. I love it when clients are so pleased with their painting!
I recently finished a commission for a painting of the property above which has such an interesting history. Both the home and barn were built during the American Revolution and was originally the poor farm for this area of Arlington, Vermont. The great-grandfather of the current owner took over the property during the Great Depression and he and his wife planted 22,000 trees here over several years. That man's son, when he owned it, was a friend of a local artist named Norman Rockwell, who came for dinner a few times. The young man who commissioned this really wanted that middle ridge of trees to somehow show a nod to the ones who planted all those trees there. So after much thought (and thanks to his short last name) I decided to roughly show the trunks and branches back there to spell out his name. Unless you look hard for it, you'll never notice but he loves that it is there. Then as a surprize to the commissioner, I used the little reflections in the pond at lower left to spell out his name in Morse Code, Read more on the execution of this painting in the "What's New" section of the website.
While I was in the Arlington area to photgraph that property, I was very taken by the beauty all around such as the farm above (one of three paintings I did this month from this trip. I wanted to return soon with Julie to show it all to her so I went online looking for motels in the vicinity. The first to pop up was Norman Rockwell's house which is now a B&B! So of course, that's is where we stayed. A neat old (1792) home in a rural area that just screams Rockwell everywhere. Straight out from his front door is an 1804 church and beyond is an 1852 covered bridge and gorgeous old farms all around. (future paintings await) While there I saw several photos of Rockwell in and around the house and in his studio out back. So I had Julie shoot some pictures of me in the same spots to Photoshop myself into the room with him.
It almost felt like I got to meet my first art hero!
And here is a painting of that 1852 covered bridge just up the road from his place. There will be several more paintings result from this trip to Arlington.
Then later in the same week, I got a commission to paint a gentleman's wife and son with an old pharmacist. He said he wanted it to look like a Rockwell painting. What are the odds that in the space of one month, I'd have three connections like this?!
I was very honored to be asked to do a portrait demo alongside John Traynor at Tilting at Windmills Gallery in Manchester Center, Vermont. John is my favorite living New England painter and it was a real pleasure getting to meet and paint with him. Also, I consider Tilting at Windmills to be the best gallery in Vermont. I couldn't believe how much he got done in four hours!
The model that I had scheduled to pose wasn't able to make it so I worked from an old photo I took years ago. I generally paint from photos so this was no problem.
I love it when the subjects of paintings come in to see themselves on canvas. I just met Amelia less than two months ago and have already painted her eight times. That red hair is so much fun to paint and when backlit, looks like fire!
Terrific artist and friend, TJ Cunningham stopped in the gallery for a while. I picked up a couple good tips from him and sure enjoyed the visit. If you are unaware of his work you should check it out.
Recently, I have been painting barns again and looking at them in a slightly different way. To read more, check out the "What's New" section of the website.
Please click on the "What's New" button above to see the best of July's work.
Every two years the Alumni Hall in Haverhill, NH hosts a show of portraits I've done recently. In June, this show opened to a good crowd (maybe the best ever) with several of the models/subjects on hand. I discussed many of the paintings in terms of the inspiration, meaning, technique and/or the models. Thank you to director, Keisha and my wife, Julie, for helping put it all together.
Earlier this year I was forunate enough to win the Fine Art Connoisseur Award at a competition at the Scottsdale Artists School. The prize for this was a full page ad in their magazine. I consider this magazine to be one of the absolute best in the business and was very happy about this. The ad is in the current issue.
As mentioned last month, I am still pushing the edges of my comfort zone. It is a work in progress, learning as I go what works and what doesn't. THis example is my favorite of the lot so far. See more in the "What's New" area of the website.
While at the Celebration of Fine Art in Arizona earlier this year, I slowly walked around the venue looking closely at the work of the 100 other artists there. When I returned to my booth, I realized how traditional my work was and frankly, it looked a little boring to me. That was part of the reason I knew it was time to expand a bit and try for a fresher, more colorful look. Since then, I have been working on a series of figurative pieces with a looser, more abstract backgrounds while using a lot more paint. I am excited about these and more that will follow and feel they have pushed me to a greater understanding of what makes a good painting. Specifically, in terms of color theory. Before I painted whatever was in the background of the photo from which I worked. But with these, I have to consider what will best work with the existing colors of the subject. Other things have changed too. I an experimenting with different surfaces on which to paint and applying the paint with anything from rags to ceramics tools to palette knives which I have almost never used before. I realize that some people who have followed my work may not like this new direction and honestly, I don't think I would have liked the difference even 10 years ago. Hopefully, this is another step in my maturation as an artist.
As I was about to watch two of them do a two-hour demo, a staff member asked if I would model as the regular model was a no show. I had never done this before but was honored to gice it a try as these were two of my favorite living artists in the world! Suchitra Bhosle, above, had been a Facebook friend but I had never met her. She was one of the nicest people I had ever met, with or without a big name. As proof of this, she GAVE me her painting when finished!
As a former art teacher, I have long seen the value of instructing others. Besides the improvement and edification of the student, it also has great benefits for the one doing the instruction as well. In order to not be embarassed as a teacher one must know what one is talking about and that requires much learning and thought. It helps focus on what you're doing rather than just continuing in a rut without consideration. It helps one consistently improve I believe. I ahve always enjoyed the interaction with students, some of whom remain friends 40 years later. I have certainly benefitted from the other side of this as well and continue to do so.
Here's a case in point. This photo taken two years ago at the Portrait Society of America Annual Conference shows l to r, Everett Raymond Kinstler, Michael Shane Neal, myself and Nicole Vargas Santiago. This is a significant chain of mentors of which I am very proud to be a link. While I have mentored Nicole, I was and am mentored by Shane, who was and is mentored by Ray Kinstler. Among Kinstler's teachers was Gordon Stevenson who was taught by John Singer Sargent! Sargent is the #1 hero for most people who paint portraits realistically so you can imagine how proud I am to be linked. And everyone I teach in my workshops become more links in that chain.
I have a list of people to whom I send out regular updates on new paintings. These are generally a couple of times a month and include descriptions and/or inspiration for doing it. These are not to pressure anyone into a sale but at the same time they are offered here before going to any other galleries so anyone interested may have first crack at them. If you would like to be included on this list, please let me know at email@example.com and I will add you right away. Your email address will not be given or sold to anyone else.
Thanks for visiting!